Magical Costumbrismo
Master Bautizta is a painting wizard, a conjurer of memory who has managed to transform the cultural richness of our nation into a symphony of colors, shapes, and textures. His "Magical Costumbrismo" is an artistic movement that goes beyond mere visual representation to become a portal that allows us to delve into the very essence of our identity.
The master proposes magical costumbrismo as a way of articulating the portrait of historical practices and materialities that make up the Colombian territory, with the knowledge, cosmologies, and intangible aspects that give symbolic strength to the cultural richness of our country. Likewise, by uniting the delicacy and cleanliness of his work with the rigor and respect that deep research of the portrayed subject requires, recognizing the strength and importance that the symbolic field has always had in cultural construction.
In every stroke of his work, we can feel the heartbeat of our history, the strength of our traditions, and the joy of our being. Master Bautizta has managed to create a universe of beauty and poetry that speaks to us of our diversity, the multiplicity of our roots, and the richness of our customs. His work is a treasure that we must preserve as a legacy for future generations, a jewel that allows us to reconnect with our essence and celebrate the cultural richness that defines us as Colombians.
Society in Motion
Heritages
The muralism of Maestro Bautizta is an open window to Colombia's cultural richness, a tribute to the collective memory and the cultural heritage passed down through generations. His work is a record of the identity of a country that resists losing its essence in a globalized world of blurred identities. It is an enchantment with popular culture, folklore, and the stories woven into the streets and roads, stories that dwell in our everyday lives. Muralism is a way to make memory present and to reconstruct the past, allowing us to understand a present that continues to vibrate with the diversity and cultural wealth of Colombia.
SCENOGRAPHY
SOCIAL FABRIC
Stages
The search to exalt and safeguard the historical and cultural memory of his country led Master Bautizta to build heritage from multiple fronts. One of these was the articulation with other artistic practices, creating scenography to accompany performing arts, parades, and different types of stage productions within the framework of reference festivals of heritage and cultural memory. His stages and scenography are windows that open up to the public the opportunity to delve into the richness of the history and customs of his land.
